WANDER SHANGHAI

上海市徐汇区安福路322号

Garden House at 322 Anfu Road

安福路322号花园住宅

From a Kong property to film distribution and reading

The 1932 residence belonged to businessman Kong Lingkan, son of H. H. Kung and Soong Ai-ling and associated with the Yangtze company. This is an ownership and commercial connection; it does not establish the provenance of every interior fitting or residence by every family member.

Explore the historical timeline
Pale walls, green joinery and arched openings at 322 Anfu Road. Published in the 2020 heritage feature; capture date unknown.

Capture date unknown

Pale walls, green joinery and arched openings at 322 Anfu Road. Published in the 2020 heritage feature; capture date unknown.

Photographer not individually credited; see source · Image source · Rights retained by original creators and source

At a glance

Construction / use dates
1932
Architect
Not established in the reviewed sources
Character
Spanish-style garden residence
Original use
Garden residence
Use and access
Residence adapted for film culture
Address
上海市徐汇区安福路322号Anfu Road

Architecture and use: sources[1]

The beginning

Why was it built here?

The 1932 residence belonged to businessman Kong Lingkan, son of H. H. Kung and Soong Ai-ling and associated with the Yangtze company. This is an ownership and commercial connection; it does not establish the provenance of every interior fitting or residence by every family member.[1]

Later, Shanghai’s film distribution and exhibition company used the property. A 2020 heritage account records a film bookshop and gathering space. The private house thus connects with how films circulate and audiences meet; the old report is not a guarantee that a particular business still operates.[1]

Look up, then look closer

Details worth a closer look

Read from the street

Red tiles, pale walls and dark green window frames create a material contrast. Trace the changing roof heights and curves below the eaves: the style emerges from these relationships, not a single arched window.[1]

A closer detail

A tower, outdoor stairs and terraces connect garden and upper floors. From permitted areas compare indirect and direct approaches; these layers distinguish a garden residence from an apartment frontage.[1]

One building, changing roles

Read the building through time

Captions distinguish photographic dates from publication dates; periods without reliable images are covered in the text.

  1. 1932

    Garden residence built

    The house predates its use by film institutions.[1]

  2. 1949+

    Film distribution offices

    Office use connected private property with Shanghai’s film distribution network.[1]

  3. 2020

    Film bookshop and gathering use documented

    This is the report’s publication date, not a current trading guarantee.[1]

Today and visiting

Discover the building from the street

Residence adapted for film culture[1]

Address
上海市徐汇区安福路322号
Approach
Entrances, events and access can change; follow current notices. Historic significance does not make residential stairs, gardens or living spaces public.
Find the address on a map ↗

Sources checked: 2026-10-26 · Entrances, events and access can change; follow current notices. Historic significance does not make residential stairs, gardens or living spaces public.

Shanghai and the world

Place the address in the city

Connect this address with the theatre at 288 and the composer’s home in Lane 191: production, circulation, viewing and listening become a cultural walk. Film history also inhabits distribution offices and bookshelves.[1]

Text and image sources

This account is based on the sources below. Unverified details are identified as such. Where photographs are included, sources and licences are listed beneath each image.

  1. Building and local-history source ↗

    Used to check dates, uses and architectural descriptions; photo dates are separately identified.

Image handling and dating

Images come from the archives or image source pages listed beneath each photograph. We resize and compress them to WebP, preserving their original proportions without colourisation or added detail. Grain, blur and scanning marks in historical photographs are retained.

Images without a documented capture date are marked undated; publication is not photography. No invented before-and-after view substitutes for a verified historic photograph.