WANDER SHANGHAI

Third floor, No. 1, Lane 391, Wukang Road

Zhou Xuan’s former home

周璇旧居

A singer’s address on the third floor of Lane 391

Locate Zhou Xuan’s Shanghai home of 1943–1946 and distinguish a performer’s life, the house itself and today’s film district.

Explore the historical timeline
Pale walls and upper windows of the Lane 391 house above a small general shop

Published 6 October 2023; photograph date unspecified

The Lane 391 house containing Zhou Xuan’s former home, above a small shop. The report identifies her home on the third floor.

话匣子 / Huaxiazi (publisher) · Image source · © Huaxiazi / original photographer

At a glance

Built
Construction date unconfirmedHer arrival in 1943 is a life event, not a building date
Architect
Not documentedThe checked sources do not identify a designer
Architectural character
Three-storey residenceNo unverified style label assigned
Original use
HousingThe house’s origin is not dated by her arrival
Present use
Residential address and film-memory siteNot treated as a publicly accessible house museum
Address
Third floor, No. 1, Lane 391, Wukang RoadNot No. 390 Wukang Road

Architecture and use: sources[1] [2] [3]

The people behind the address

A life in brief

Zhou Xuan (1920–1957) was a singer and film actress known as the “Golden Voice”. She joined the Bright Moon troupe in 1931 and rose to prominence in Street Angel (1937), later working in Hong Kong as well. Her Lane 391 home gives a domestic address to that public career.[4] [5]

Contributions and influence

Her performances of “The Wandering Songstress” and “Song of the Four Seasons” in Street Angel joined song to character and story, becoming classics of Chinese sound cinema and popular music. Her Shanghai–Hong Kong career also reflects exchanges between the two cities’ film and Mandarin-song cultures.[4] [5]

The beginning

Why was it built here?

Zhou Xuan’s screen image often brings songs to mind; this address returns attention to everyday living. She moved to the third floor of No. 1, Lane 391 in 1943 and left for film work in Hong Kong in 1946. It represents one documented chapter, not all of her homes in Shanghai.[1] [2] [3]

A lane address helps locate the house more reliably than celebrity anecdotes. Lane 391, the villa at No. 390 and Huang Xing’s No. 393 belong to different histories. The 2025 film-district renewal included Zhou Xuan’s doorway: a commemorative layer entered the streetscape while residential boundaries remained relevant.[1] [2] [3]

Look up, then look closer

Three details worth a closer look

Read the lane address

“No. 1, Lane 391” identifies a road, a lane and a building. Locate the lane entrance before understanding the house within its residential group; it is not the neighbouring detached villa.[1] [2] [3]

A home on the third floor

The sources identify a particular floor. A famous resident’s history can occupy part of a building without making the whole house that person’s exclusive residence.[1] [2] [3]

A new layer at the doorway

The 2025 renewal involved the doorway. Read present commemorative signs separately from the building’s 1940s condition; recent signs are not surviving fittings from her lifetime here.[1] [2] [3]

One building, changing roles

Read the building through time

Captions distinguish photographic dates from publication dates; periods without reliable images are covered in the text.

  1. 1943

    Zhou Xuan moves upstairs

    The historical account records the start of about three years at No. 1, Lane 391.[1] [2] [3]

  2. 1946

    Departure for Hong Kong

    This period of residence ends with her move for film work. Later Shanghai addresses should not be folded into an uninterrupted stay here.[1] [2] [3]

  3. 2025

    The doorway joins the film-district renewal

    The official account includes this address among updated film-memory sites, not as an announcement that the whole residence has opened.[1] [2] [3]

Today and visiting

Discover the building from the street

Identify Lane 391 from the public pavement and use the documentary account to understand the third-floor address.[1] [2] [3]

What to notice
Distinguish lane number, building number and floor. Film signs can help locate a site but cannot establish its historical date.
Access
Residential lanes and stairs are not assumed visitor routes. Avoid residents’ doors, interior photography and blocking the entrance.
Find the address on a map ↗

Sources checked: 2026-10-22 · Documentary research does not verify access on the day. Follow posted notices and the property manager’s permission.

Shanghai and the world

This address within its neighbourhood

Zhou Xuan’s home and the actors’ troupe at No. 395 connect a personal residential history with an institutional workplace. Together they show how film culture enters everyday streets.[1] [2] [3]

Continue towards Wukang Mansion to compare more film-related residential histories without assigning every actor’s home to the famous pointed building.[1] [2] [3]

Text and image sources

This account is based on the sources below. Unverified details are identified as such. Where photographs are included, sources and licences are listed beneath each image.

  1. Shanghai Civil Affairs Bureau · Walking Wukang Road ↗

    The 2023 account identifies Zhou Xuan’s home as the third floor of No. 1, Lane 391. Anecdotes are not used as architectural evidence.

  2. Guizhou CPPCC · Film memories of Wukang Road ↗

    Official republication of Shen Lu’s 2023 article: arrival in 1943 and departure for Hong Kong in 1946. It does not establish the construction date or architect.

  3. Shanghai Municipal Government · Wutong Yingxiang film district ↗

    The 28 October 2025 report links the troupe at No. 395 and Zhou Xuan’s doorway to the film district renewal. Project dates are not building dates.

  4. Hong Kong Film Archive · Zhou Xuan retrospective ↗

    The people behind the address

  5. China Writers · Zhou Xuan and two cinema cities ↗

    The people behind the address

Image handling and dating

Images come from the archives or image source pages listed beneath each photograph. We resize and compress them to WebP, preserving their original proportions without colourisation or added detail. Grain, blur and scanning marks in historical photographs are retained.

Images retain their original framing and proportions. Publication dates are not capture dates; unknown photograph dates are not inferred. Details, group views and architectural drawings are identified in the captions.